|Seeing the Savior|
Are Our Eyes Ready?
One of my favorite films over the last several years is Finding Neverland. Based on the life of Peter Pan author, James Barrie, the story follows Barrie’s friendship with Sylvia Davies and her four young boys.
During their initial meeting, the boys ask Barrie how he makes a living. With their brother Peter diverted elsewhere, Barrie glances at his dog and replies:
I’ve known people, like young Peter, who are afflicted with a special kind of glaucoma—one that impairs its victims from seeing beyond physical appearances. For them, “just” is a hammer—a dream-squashing utterance that reduces the extraordinary to the ordinary, the significant to the insignificant, the sacred to the profane: “She’s just a clerk.” “It’s just a clump of cells.” “It’s just a part of our evolutionary heritage.” “It’s just a myth.” It’s a word that was used against the most significant person to ever walk the earth.
Just a carpenter
The sixth chapter of Mark’s gospel recounts the homecoming of a local celebrity. Immediately before his return, the rising star had done three things that multiplied his fame: He had exorcised a legion of demons from a possessed man, healed a woman of a 12-year bout of hemorrhaging, and raised a young girl from the dead—all in the span of one day. Each was an extraordinary feat. Collectively, they were staggering.
From his command over spirits to his power over death, this man proved anything but ordinary. Yet in the face of those stunning accomplishments, the city fathers dismissed him with, “He’s just a carpenter—Mary’s boy. We’ve known him since he was a kid. We know his brothers, James, Justus, Jude, and Simon, and his sisters. Who does he think he is?”
“Just” probably prefaced many remarks about Jesus during his life on earth.
Just a child
A couple of years ago, Tinseltown accomplished something truly special. It brought us a film that is biblically factual without reducing the story to a felt-board narrative. Set design, costuming, acting, and script came together to make The Nativity Story a raw and authentic telling of the first Christmas—an achievement that has escaped previous cinematic efforts.
What impressed me, or rather surprised me, in this beautifully shot and scored film was how common everything must have appeared to a first-century observer. It made me wonder what I would have noticed on that otherwise uneventful morning: An indigent couple of no particular importance giving birth to a child of no apparent distinction, in the most impoverished of settings—a cattle stall in a cesspool settlement of Judea. Or would I have seen something more?
Although the climactic frames regress to the familiar greeting card idealization, the previous 90 minutes portray, what must have been, the unremarkableness of it all to a casual passerby. Outside of the informed circle of shepherds, Magi, and undisclosed others, there would have been nothing special here. Only a newborn in a feeding trough. Surely nothing to arouse suspicion, much less awe and wonder.
Yet amid the gravel, dust, straw, and livestock was a narrative that began at the beginning when God promised Eve, “I will put enmity between you and the woman, and between your offspring and hers; he will crush your head, and you will strike his heel.” From there, the story went on about a God and a people through whom that promise would be fulfilled.
But on this particular day, the Promise slipped into human history unnoticed by eyes and ears that were scanning the horizon for a conquering king. I can imagine village folk approaching the curious crowd, asking, “What’s going on there? Why all the fuss? The Messiah, you say? A Savior?”
Some, familiar with the narrative and piqued to know more, lingered. They examined the setting and asked further questions to see if the prophesies and circumstances lined up. While others, expecting a full-grown Homeric hero, shook their heads and walked away.
While neither was privy to Gabriel’s announcement, the visitation of the Spirit, or among the shepherds in the fields, they knew the story line: The Messiah would be from the line of Abraham, from the tribe of Judah, from the house of David, born of a virgin in Bethlehem within the timeframe predicted by Daniel. As the circumstances began falling into place, one group dropped to its knees in adoration, and the other turned away with a sneer: “Nonsense, it’s just a child!”
The former were like the hemorrhaging woman Jesus told, “Daughter, your faith has healed you. Go in peace and be freed from your suffering.” And the latter like those he said “in them is fulfilled the prophecy of Isaiah: ‘You will be ever hearing but never understanding; you will be ever seeing but never perceiving.’”
Throughout my life I’ve had more discussions with people about God than I dare count. Most have been with believers who accepted Him despite their lack of proof; others with individuals who have rejected Him, or thrown up their hands in uncertainty, because they deemed the evidence contrary or inconclusive, or the decision too hard.
When I’ve asked what would seal the deal, I’ve gotten two answers: “To see this hide-n-seek God reveal himself,” or “to see a ‘bono fide’ miracle”(that is, some marvel beyond material explanation).
I’ve always thought the first response odd. People can shun the existence of a immaterial God they’ve never seen, while readily accepting the existence of quantum fields, the mind, memes, free will, and the big bang, to name but a few of the things they likewise have never seen.
When I bring up phenomena like information, consciousness, creativity, physical laws, and life itself as inexplicable in a non-intelligent world, they usually shrug, “Oh, those are just products of nature.”
Somehow I suspect that neither experience would be sufficient. After all, they failed to convince those who glanced at God in that humble stall and left, muttering the same “candle-snuffing word.”
For 2,000 years, men have gazed upon the scene and, in the words of John Betjeman, wondered:
For those, like Peter Davies, who could only see a docile dog, it’s just a baby; but for hearts ready for an unsafe Lord and Savior, it is Emmanuel.
My prayer for you this Christmas season is that you will see Him and experience Him in the fullest measure that you can handle.
Regis Nicoll is a freelance writer and a BreakPoint Centurion. His "All Things Examined" column appears on BreakPoint every other Friday. Serving as a men’s ministry leader and worldview teacher in his community, Regis publishes a free weekly commentary to stimulate thought on current issues from a Christian perspective. To be placed on this free e-mail distribution list, e-mail him at: firstname.lastname@example.org.
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