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By Diane Singer|Published Date: January 18, 2010
A faithful witness does not lie, but a false witness breathes out lies. Proverbs 14:5
James Cameron’s film Avatar is burning up box offices around the world, raking in more than $600 million dollars in its first two weeks. Visually, it’s not hard to understand why: the improvements Cameron has made to both motion-capture and 3D technology are astounding. I found the motion-capture used in Polar Express disturbingly creepy, and I generally avoid 3D movies because the fuzzy resolution gives me a headache. Plus, I can never really forget the techno-geek gimmicks behind such movies, so my focus is never solely on the film’s story.
Not so with Avatar: the motion capture technology is so good that Jake Sully’s avatar is completely believable from the get-go; and the 3D effects so smooth that I soon forgot I was wearing those goofy glasses. Within a few minutes, the technological tricks faded into the background, allowing me to immerse myself in every scene.
And what scenes they are! The first 90 minutes of the movie are simply luminous as the film’s hero, Jake Sully in his avatar body, first experiences the glorious and terrible beauty of Pandora. Words cannot describe the plant and animal life Cameron has envisioned – from creatures of terrifying fierceness to those of delicate elegance, and everywhere a world exploding with color, lush vegetation, and light. The film is a visual wonder. One sequence alone – when Jake learns to fly a Pandoran dragon through the planet’s floating islands – is worth the price of admission. The grace and beauty of that scene literally brought tears to my eyes.
No one can doubt Cameron’s artistic genius when it comes to bringing to the screen this fantastical, mythical world. It represents the best expression of what J.R.R. Tolkien meant when he said that we are to be “sub-creators” with the Creator. Cameron’s vision is so powerfully and beautifully rendered that it’s easy to imagine a world like Pandora actually existing – if not now, then one day when the Lord fashions a new universe for the everlasting delight of His children.
However, for all its visual splendor, Avatar is a disappointment. Worse than that, it’s full of lies.
About 90 minutes into the film, Cameron’s artistic weakness become so glaringly obvious that I found myself frequently checking my watch for the remaining 70 minutes. What is that weakness? His use of trite, leftist-Marxist clichés in lieu of a fresh, creative plot. The bad guys are military mercenaries and greedy, exploitive company executives who have one objective: to bulldoze and strip-mine the planet and kill anyone who gets in the way of their making a profit (Pandora, it seems, is important because it has rich deposits of the priceless, and ridiculously named, unobtainium).
The good guys are the native Na’vi, who are noble, courageous, and living in harmony with the planet, which is both their home and their deity. Jake starts off as a spy for the bad guys, but he (and a handful of good-guy scientists led by Sigourney Weaver’s character) sides with the Na’vi once he realizes how superior their way of life is and after he, predictably, falls in love with the chief’s daughter.
In the final battle, the natives use primitive weapons – and the assistance of fierce beasts sent by their earth-goddess in response to Sully’s prayer – to defeat a technologically superior enemy, finally driving the evil human oppressors off their planet. If it all sounds tiredly familiar, it should: Cameron could have easily entitled the film Dances with Wolves Goes to Pandora.
While this trite plotline is disappointing, the greater flaw is the film’s worldview. In the words of the writer of Proverbs 14, it’s a movie that “breathes out lies.” Ultimately, Avatar becomes little more than a propaganda tool for environmental radicals, pantheists, anti-Western terrorists, anti-military liberals, and anti-capitalists (which is ironic given the film’s tie in with such corporate giants as McDonalds). Spiritually, there’s not much here for Christians to cheer, and there is much to be wary of: a film that is this visually stunning can easily circumvent our sense of duty to discern right from wrong, the truth from the lie. We may become so enthralled by what we see that we forget to stop and ask, “What’s the message?”
Chekhov once wrote, “The aim of fiction is absolute and honest truth.” But what happens when a book or film tells lies? How should Christians respond? This is an issue for any Christian with a biblical worldview who watches Avatar. As much as I appreciate Cameron’s visual imagination and the technical mastery he exhibits in this film, his worldview is not one I share.
Would I recommend seeing the film? Yes, but with reservations – especially for parents who must decide whether to allow their children to view the film. The PG-13 is an appropriate rating: children under this age should not be exposed to the intense and scary violence of Avatar, nor to its lies. Parents of teens, however, can use the movie as a teaching opportunity if they will discuss with their children how the film’s worldview distorts the truth, both in its implied rejection of American history and, most importantly, in its powerfully alluring portrayal of pantheism (Romans 1:25).
In the end, it’s a film that can be enjoyed on a visual level, but one whose message must be demolished (2 Corinthians 10:4-5).
A number of film critics claim that Avatar represents a technological leap that will change the future of movies. If that’s so, then let us hope that the next writer/director to employ Cameron’s pioneering technology will do a better job of telling a tale which also tells the Truth.
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